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The Basilica of St. Francis has stood for over 750 years in
Assisi, a beacon attracting pilgrims, both secular and ecclesiastical, impoverished
and of royal heritage. All journey here to revere a man said to disdain wealth in all its
trappings, instead seeking joy in the very simplest things a man could find on this
earth.
The simplest things are emphatically not what is
on display at New York's Metropolitan Museum of Art in an exhibit entitled The Treasury
of St. Francis of Assisi, which has been curated by the museum, The Vatican Apostolic
Library and various Italian cultural ministries. The tragic earthquake of September, 1997
damaged a great deal of the Upper Basilica, including major frescoes painted by Giotto and
Cimabue. While much has been done to restore and preserve the damaged artworks, government
funds allocated for the restoration have dwindled, and so a slightly motley, yet glorious
travelling exhibit of approximately 70 pieces has arrived on our shores to raise awareness
of the difficulties involved in completing and rededicating the Basilica in time for
the year 2000, dazzling us with the wealth and beauty of it's treasures.
And what great treasures these are. Highlighted
in this exhibit are the Chalice of Pope Nicholas IV, a sublime gothic creation of cast
gold, decorated with dozens of small enamel plaques depicting biblical and Franciscan
themes. A spectacular 15th Century Flemish tapestry depicts St. Francis, the Pope,
the Virgin and Child among others, all reclining on large blossoms in a monumental family
tree, a tracery of their holy bloodline. Altar cloths and bishops miters are encrusted
with gold and precious jewels.
The many reliquaries on display amaze in their
mix of artistry and the bizarre; miniature gilded and bejeweled gothic structures
containing bits of bone or teeth embedded behind rock crystal, purportedly belonging
to various saints. The Reliquary of St. Andrew's Finger and The Reliquary of
the Seamless robe are primary examples of works commissioned by royalty.
Several works illuminate the life and miracles of
St. Francis, including ainted and gilded altarpieces and manuscripts. The Lehman Galleries
fairly glow in the reflected light of their medieval glory.
Included in the exhibition are several large
scale photographs of the Basilica, before and after the earthquake, as well as details of
the sometimes microscopic work entailed in the restoration.
- Mark Kane
(exhibit over)
..
Suggested reading:
Assisi: The Frescoes in the Basilica of St. Francis
(1998), Angiola Maria Romanini
Italian Frescoes: The Flowering of the Renaissance
1470-1510 (1997), Steffi Roettgen