
...
home
| art & architecture | books & cds | dance
| destinations | film | opera | television | theater | archives
The League of Gentlemen
![]() |
|
Even though a nosebleed epidemic threatened or killed most of the
characters in the closing episode of last season's The League of Gentlemen, many
inhabitants did in fact survive to return for the new season about to be unleashed by BBC
America. They are indeed the town folk of Royston Vasey, that festering village of the
orthodontically challenged, nestled in quirky provinces of England and peopled by the
disturbed stepchildren of Monty Python and John Waters.
This season brings more twisted overlapping plotlines with the likes of
transsexual taxi driver Barbara who loves to give the lurid details, gypsy entertainer
Papa Lazarou, bad actress Pamela Doove (touring in a dramatization of Anne Franks
diary as a Nazi), Eunice Evans, the Royston poisoner, sadistic Dr. Carlton who forces his
patients to play sick parlor games for treatment and dwarf Kenny, a little person cinema
owner who shows only dog movies. That, of course, is only a partial list of the
local color.
The Leagues core cast and writers (with Jeremy Dyson) are Mark
Gatiss, Steve Pemberton and Reece Shearsmith, who play multiple obsessed, freakish, even
depraved roles, many grotesquely en travesti. The foursome started out
onstage in the London theater fringe, went to the Edinburgh Fringe Festival, landed on
radio and were so successful that the series launched in 1999 and is going into its third
season (in addition to a Christmas Special). After a pint full of awards, the League
is a cult, with legions of obsessed fans.
The first installment visits Pauline Campbell-Jones (Pemberton),
finishing her incarceration in Clitclink Prison for kidnapping ruthless civil servant Ross
Gains (Shearsmith). She turns into a jailhouse bull, trading sex toys for pens (His
dream is to open a pen shop--dont ask!) and sexually threatening inmates, including
Eunice. Ross helps spring Pauline, but forces her to spy on her gender-bent lovie Mickey
(Gatiss) who Ross suspects is cheating the welfare system, because he and his brothers
have has been on the public dole for 63 years. To throw Ross off the scent, Pauline
says Mickey is "thick, stinks and lives in a s--thole." Pauline tells Ross
that they are going to be married, to which Ross calls them, "The Lesbian and the
Monkey, its one of Aesops Fables." In this hilarious scene Pauline
has sex with Ross who gives up the case but threatens to tell Mickey because, he seethes,
"You made me hate my job."
This is a parallel universe series where perversity is the point in
sardonic, and surprisingly, even sophomoric ways. In the episode "The Medusa
Touch," for example, buck-toothed Alvin and his wife Sunny run the Windermere B &
B and are hosting a weekend party for the Sexplorers. Alvin, an obsessed
gardener who has fallen for the dowdy nursery worker Judith, slips out for his tryst in
the greenhouse, while the creepy Daddy (Pemberton) hooks everybody up to erotic
asphyxiation balloons, where he controls their oxygen flow. Suddenly, Daddy has a
heart attack while the controls are on deprivation.
Alvin returns to find everyone dead and he hides the bodies since he
has invited Judith for dinner and of course the corpses start to spasm from under the
table and become flatulent. How pedestrian for a dark comedy--at least in South
Park you expect such schoolboy humor, not from a supposedly famously edgy theatrical
troupe pushing the envelope of farce on the BBC. But, wind or not, these bizarre
characters are nonetheless memorable as director Steve Bendelack unfolds this surreal
sardonic soap opera that can go anywhere. With cryptic village fables floating on the
periphery, the league of misfits and malcontents are less pitiable than ruthless, idiotic
and totally addictive.
- Lewis Whittington