Daniel Handler, aka Lemony Snicket, author of the wickedly gothic children’s books, “A Series of Unfortunate Events,” is presenting his…
Emily S. Mendel
Emily S. Mendel, a writer, and photographer, has been a regular contributor to culturevulture.net since 2006, where she concentrates her reviews on San Francisco theater and art. As a native New Yorker (although now a long-time San Francisco Bay Area resident), Emily grew up loving and studying theater, from Off to On Broadway, as her multi-volume Playbill collection attests. Ending her 30-year law practice has given Ms. Mendel the time to indulge in her love of travel and the arts.
Walker Evans (1903-1975), a quintessential 20th century U.S. photographer, is being celebrated at the San Francisco Museum of Modern Art…
ACT’s new production of Shakespeare’s “Hamlet” is a long evening, with moments of poetry and power interlaced with periods of…
The story of The Temptations, the greatest rhythm and blues group of all time, bursts forth at Berkeley Rep in…
There’s a lot going on in the two-act, three-person production of “The (curious case of the) Watson Intelligence” — multiple…
It’s three-for-three — all Cal Shakes’ plays have been winners so far this summer under the new artistic direction of…
In the first scholarly museum exhibit to use hats and the millinery trade as a metaphor for the progression of…
Written in 1944, “The Glass Menagerie” by Tennessee Williams (1911–1983), still wields the power to convey truth about the way…
From the opening minutes of “An Octoroon” when BJJ, the stand-in for author, MacArthur Fellow Branden Jacobs-Jenkins, appears on a…
Kimber Lee’s powerful and profound one-act drama, “brownsville song (b-side for tray)” takes an all too familiar headline of a…