For the opening of its 30th anniversary season, the LA Opera has turned to Hollywood for a 2 hour and…
Karen Weinstein
Weinstein is a clinical psychologist who teaches in the medical school at UCLA. She also holds a master's degree in Urban Studies and has a strong interest in history and architecture, as well as the theater.
“Oy, such a shreier,” my immigrant grandfather would have said of Daphna Feygenbaum (Molly Ephraim), the lead in the Geffen…
Honestly, you really do not need a kid in tow to justify going to see “Matilda the Musical.” Great if…
Yesterday I wasted quite a bit of time trying to write a theater review of “Murder for Two.” Silly me….
Who is in your immediate family? Is it nice and tidy, with Mom, Dad, you, and your 1.3 siblings? Or…
One thing you can count on with the Fountain Theatre, they never put on a really bad play or production….
I keep hoping for transformative theatrical moments at Westwood’s inviting Geffen Playhouse. Sadly they are few and far between. There…
What is not to like about Mozart’s “Marriage of Figaro”? Not much. When skillfully executed, the music is Mozart at…
“The Barber of Seville” has been seen somewhere every year since its initial production almost 200 years ago. A light…
How often have you thought a second act was the meat of a play? Not very, I would guess. Arthur…
Alas, dear reader, once again I am stuck in a tale of good-news/bad-news. Being a glass-half-full kind of a gal,…
"Reborning." The meaning is as crazy as it sounds. Reborning is the act of creating an individual infant doll in…
The question is “Can you tell the players without a scorecard?” No, I do not mean the one player on…