Trump, Clinton and Sinclair Lewis

There’s something for everyone in this locally-sourced adaptation of Sinclair Lewis’s “It Can’t Happen Here,” and therein lies its fatal flaw. Berkeley Rep’s artistic director Tony Taccone’s enthusiasm for the Federal Theatre Project, an outgrowth of the Depression-era Works  ...

Q&A w Glynn Turman

The actor Glynn Turman, now appearing in “Ma Rainey’s Black Bottom” at the Mark Taper Forum, began his acting career at 13, as a member of the original Broadway cast of “A Raisin in the Sun,” received an Emmy  ...

Master Harold and the Boys

In Apartheid-era South Africa, black lives are matter to be exploited for their usefulness. They keep a social system limping along that is congenitally hobbled by class and caste, defined vindictively by race, and subordinating its inhabitants accordingly. Three characters  ...

Interview with John Leguizamo

Toba Singer: What has been the evolution of your career? Did you welcome the chance to move out of the comedy club circuit to theater, film, and TV? John Leguizamo: I didn’t do much time in comedy clubs:  ...

Cabaret, National Tour

An only child privy to adult conversations, I have a memory of the film, “I Am a Camera,” playing at Provincetown’s Art Cinema Theater when I was, say, seven, and overhearing my mother telling friends, “See that film!” The penetrating  ...

SFDanceworks

James Sofranko, San Francisco Ballet soloist, will introduce his new company, SFDanceworks, to Bay Area audiences, June 23—25, at ODC Theater. The company will present Lar Lubovitch’s “Concerto Six Twenty-Two,” Alejandro Cerrudo’s “Lickety Split,” as well as three world  ...

Celebrated Masters

Joanna Berman’s staging of Val Caniparoli’s “Hamlet and Ophelia” was just right. Caniparoli has a gift for perspective. He tends not to over-reach. Instead he instinctively gets when his argument has been made without talking past the deal. Moreover,  ...

Malpaso Dance Company

Seeing Cuba’s Malpaso Dance Company is like watching a newborn foal rise on spindly legs to find its footing. Young in both longevity and the age of its dancers, Malpaso is making a revolution within a revolution in Cuba, and  ...

Onegin

John Cranko’s “Onegin,” closed a banner San Francisco Ballet season, with feature roles danced by a cast both new and old— or as a Girl Scout might put it, “One is silver and the other’s gold.” Cranko’s corps  ...

Alonzo King LINES Ballet

Alonzo King’s “Sand” premiered in this program. It’s redundant to speak of breakthroughs when it comes to King’s choreography. With each new season and collaboration, there’s an epiphany and the refinements that make it sing its name. It usually originates  ...