Michael McDonaghSan Francisco,
You're alone in your room and hear music.You're sitting in a room with other people and hear this same music. But does this change how you hear that music? These are just some of the questions which Philip Glass' piano ...
Michael McDonaghSan Francisco,
We love to put people in boxes. She's progressive, he's conservative. This music is twelve-tone, that music is minimalist. But the final concert of San Francisco's New Century Chamber Orchestra showed how artificial these divisions are. Music is supposed to ...
Karen WeinsteinLos Angeles,
How do they do it? The Joffrey Ballet has two simultaneous gigs in LA: the Gluck opera, "Orpheus and Eurydice," and the ballet, "Romeo and Juliet." The consensus is that the troop is spectacular in "Orpheus," but their production of ...
David E. MorenoSan Francisco,
Philip Glass @ 80ish
When “Music With Changing Parts” premiered in New York in1970 it was at once revolutionary, persistent, repetitive, annoying, hypnotic, challenging, and otherworldly. People walked out while others were completely mesmerized. The future had arrived and ...
Karen WeinsteinLos Angeles,
The Candide credits make it look like opera designed by a committee. But what a committee. It didn't start that way. Lillian Hellman, in high dudgeon over the early activities of the McCarthy Committee and its followers, approached Bernstein with ...
Michael McDonaghSan Francisco,
The Austro-Hungarian empire may have died long ago but its musical products are still alive and kicking. Vide the San Francisco Symphony and its outgoing music director Michael Tilson Thomas pairing Mozart -- born Salzburg; Beethoven -- born Bonn; Richard ...
Michael McDonagh
What does one say about a concert dedicated to the dead, dying and those living with HIV/AIDS? What does one say about gifted composers, singers and writers dying all too soon from AIDS? What does one say about their deaths ...
Michael McDonaghNew York,
Good opera singers come and go but great ones are rare, and the Met remembered one of its best by dedicating all of its four performances of the "Verdi Requiem" to the late great and much loved Siberian bass Dmitri ...
Karen WeinsteinLos Angeles,
Verdi’s “Nabucco” could be conceptualized as the protest opera for all seasons. It premiered in 1842, when Giuseppe Verdi was 28 years old, and Italy was a loose confederation of city states dominated by foreign powers, especially Austria in the ...
