Marina Carr’s Ariel is a play which is clearly grappling with several major issues. In attempting to negotiate a space…
Theater
Happy Days: The Production Notebook of Samuel Beckett The Cherry Lane Theatre, an intimate little playhouse located at the elbow…
Deserving winner of the 2001 Tony Award for Best Play, Edward Albee’s The Goat is unquestionably the most mesmerizing theatrical…
It’s Lanford Wilson’s turn to be rediscovered. Like his great precursors, Tennessee Williams and Arthur Miller, his dramatic reputation rests…
A circus always is fun and John Guare’s The House of Blue Leaves, newly opened at Berkeley Rep, is a…
An extramarital affair.Almost a cliche, yet to the people having the affair it can become the center of the universe.At…
If summer is a time for light amusement (and that seems to be the theory under which Hollywood studios and…
After a season’s hiatus, the musical megahit strikes again, following much the same formula as its triumphant predecessor, The Producers….
The fledgling Broadway season, having gotten under way with a solid revival of I’m Not Rappaport, follows with another two-character…
The Apollo Theatre on West 125th Street, in the center of Harlem’s major business district, has always represented something much…
John Bosco (Mick Lally) is a fifty three year old bachelor living in rural Kerry. He has been consigned to…
Themes of exile and homecoming are explored in Hugh Leonard’s Da. The story revolves around the living memories of Charlie…
"There are no second acts in American lives," wrote F. Scott Fitzgerald, which is often true but also often not….
"Write about what you know": We may safely assume that Thomas McCormack offered this familiar bit of sage advice to…