Roussève/REALITY

Roussève/REALITY

Roussève/REALITY

Doris Duke Theatre
Jacob’s Pillow Dance Festival
July 19, 2009
http://www.davidrousseve.com/
http://www.jacobspillow.org/

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Photo: Karli Cadel

David Roussève is all about stories that ring true to the African American experience with an intention of reaching universal truths. Saudade, Roussève/REALITY’s newest piece, mixes text, film and a variety of dance forms, including Indonesian, West African, Bharata Natyam, and post-modern dance. Loosely translated, saudade is a Portuguese word encompassing longing for what has been lost and hope for its unlikely return.

A tall, handsome figure, Roussève starts out downstage, in an intimate circle of light. As he goes through his various machinations about his purpose, we see a man de-constructing his stories. Several poignant tales punctuate the nearly two-hour dance drama as Roussève takes a slow motion march on the diagonal stopping only to tell a tale. He tells the story of a former slave, Sally, who is taught to read and write by her sister amidst incredible danger, another of an older man’s tender love for his soft-pawed cat. A consummate storyteller, Roussève captivates in these passages. His inflection, body language and clarity bring these tales beyond the usual text /movement matching.

The passages in between, nobly performed by Roussève’s global dance troupe, prove less successful. Saudade is a sprawling piece and the chaotic dances between each story add little to the narrative thread. At times, clever off shoots carry some interest, but they dissipate just as soon as they get interesting. Still, his competent troupe is a marvel to watch as they slip between speaking and dancing in a dazzling display of world dance forms.

Peter Melville’s scenic backdrop conjures a crossword puzzle, meshing nicely with the idea of story as a tapestry. David Ferri’s lighting lends drama and Ashley Hunt’s video add a touch of needed humor.

At the very end Roussève finally returns to where he started in his spot. He retraces his journey tying it all back to his own life. Roussève evokes a sense of relief, that everything will be alright.  It’s a strong moment, however, not strong enough to bring cohesion to the whole of Saudade.

Nancy Wozny

Santa Fe, NM
Mr. Simpson has a BA in Journalism from the University of Southern California and worked as an advertising writer in Los Angeles before moving to New York to pursue a different passion: dance. He danced professionally in New York and Boston before founding a community-based modern dance company, Small City Dance Project, in Newburyport, MA. His fiction has appeared in literary journals and anthologies. He was a teaching fellow at Smith College, where he received his MFA in choreography. While living in the Bay Area for 15 years, he wrote about dance for the San Francisco Chronicle and other periodicals. In 2005, he was a NEA Fellow at the Dance Critics Institute, American Dance Festival. For culturevulture.net, he reviews dance, theatre and film. He moved to Santa Fe in October, 2008. He writes for "Pasatiempo," the Arts magazine of the "Santa Fe New Mexican."