Exceprts from an interview with Emily Mendel. Her review of “Octet” is here. On the human voice:“I was the stereotypical…
After a 13 year incubation, during which time gestation began with a single song, Hadestown came to fruition in 2019…
by Andrew Osborne While many of the projects screened this year at South by Southwest are still making the rounds…
“Mothering Sunday” is a quiet, slow sensual adaptation from the Graham Swift romantic novella of the same name. While all…
The Jazz at Lincoln Center Orchestra is currently on the last leg of their three-month tour across the US. The…
The Top Five Movies I Saw at SXSW 2022 As always, it was impossible to see everything at the 2022…
So what is Bach’s St. Matthew Passion? It is presented this month at the Dorothy Chandler by the LA Opera….
The rock musical, “Passing Strange,” is a quirky amalgam of the autobiography of a young Black American, a raucous comedy,…
In the dead of night, a university professor returns unannounced to his childhood home in a scruffy part of London…
Alice Neel (1900–1984) is one of many American women artists underappreciated during her lifetime. She didn’t fit in with the…
Speaking to a nearly sold-out audience at the Academy of Music on March 3, Philadelphia Ballet artistic director Angel Corella…
A whirlwind has been let loose on the Ahmanson stage. The National Theatre production of “Lehman Trilogy” has arrived. You…