Program 4, SF Ballet

San Francisco, CA

Program 4, SF Ballet

San Francisco Ballet’s Program 4 achieved a triumphant success with its production of Jerome Robbins’ “Dances at a Gathering” (1969). To the admirable playing of 18 pieces of Chopin’s music (mazurkas, waltzes, etudes, a scherzo and a nocturne, performed by  ...

Program 3, SF Ballet

There’s something of a puppeteer at play in “Manifesto,” Myles Thatcher’s impressive new work for San Francisco Ballet. Dancers emerge airily from the wings, as if suspended from invisible strings, gliding in and out in patterns symmetrical or not, their  ...

Kyle Abraham/Abraham.In.Motion

From the minute Kyle Abraham hit the stage in “Pavement,” dribbling an imaginary basketball then taking that movement into fluid modern dance and back, his signature hip hop, streetwise trademark was in motion. It is that simple urban beat--something  ...

Japan’s Floating World, SF

Two new excellent exhibitions about 17th- to 19th-century Japanese art and culture grace San Francisco’s well-respected Asian Art Museum, the largest museum in the United States devoted exclusively to the arts of Asia. From 1615–1868, in Edo (now Tokyo),  ...

Les 7 Doigts de la Main Circus

You know right away when a renowned circus troupe is in town, not because elephants have paraded down urban boulevards but because of the buzz it generates among all age groups. After all, a circus is for everyone, for “Ladies  ...

The Lyons, Berkeley

The Lyons sure can roar! At each other, at perfect strangers and, after a couple of hours of Nicky Silver’s dark comedy, newly opened at Berkeley’s Aurora Theatre, it seems at the audience as well. The family Lyons  ...

A Meditation on Giselle Casting

Without Hilarion there is no “Giselle.” He is the crude gamekeeper whose manners may be wanting, but who never confuses right with wrong. He is the conscience and compass of this story ballet. Without him, it is the banal tale  ...

Two Debuts in One ‘Giselle,’ SF Ballet

Like Odette/Odile in “Swan Lake,” the title role in “Giselle” requires not only technical mastery but also (and more crucially) the ability to create two distinct visions onstage. In “Giselle,” the duty is even more burdensome: unlike Odette/Odile in “Swan  ...