The House of the Spirits, Houston

The House of the Spirits, Houston

The House of the Spirits

by Caridad Svich
based on the novel by Isabel Allende
Main Street Theater
Houston, TX
house of spirits
foreground L-R: Blanca (Chelsea Ryan McCurdy) and Clara (Eva De La Cruz), background Alba (Laura Michelle Salas).
photo by

 Caridad Svich’s The House of the Spirits is a noble adaptation of
award-winning Chilean author Isabel Allende’s classic novel. Svich’s play
doesn’t completely capture the essence of Allende’s enchanting use of
magical realism, yet she creates a compelling theatrical experience, such
that, by the second act, I was hardly missing Allende’s delicate prose.
Svich also distills Allende’s massive epic into a workable story.

 The House of the Spirits chronicles the ups and downs of the Trueba
family in an un-named Latin American Country spanning 1920 through the
1970s. Unlike the book, Svich uses Alba, the youngest member of the Trueba
tribe, as the sole narrator, lending a cohesive dramatic thread that works
well to bring us in and through the multiple frames of reference found in
Allende’s dense writing.

 The cast—all strong—is headed up by Sean Patrick Judge, who lends a quiet
dignity to Esteban Trueba, a difficult and complex man. Judge gives Esteban
a brutal edge and, as he ages, a somber tenderness. Laura Michelle Salas
imbues the young Alba with a slight aura of distance, serving to separate
her from the brutality of her torture and imprisonment, and sustaining a
cool detachment of the storyteller. When she finally enters the action of
the play, Salas adds warmth and resolve. Eva De La Cruz’s Clara matures from
a magical child to tolerant wife with believability. Luisa Amaral-Smith
plays several roles, but is most powerful in her portrayal of Ferula,
Esteban’s long-suffering sister.

 Rebecca Greene Udden directs with a soft hand, letting the story unfold in
its own timing. Nothing feels forced or rushed; it’s a graceful production.
Jodi Bobrovsky conjures a lacy all white world, lending a sense of
understated elegance. David Gipson’s lighting design add just enough
otherworldliness for us to feel thoroughly transported. –

Nancy Wozny

Mr. Simpson has a BA in Journalism from the University of Southern California and worked as an advertising writer in Los Angeles before moving to New York to pursue a different passion: dance. He danced professionally in New York and Boston before founding a community-based modern dance company, Small City Dance Project, in Newburyport, MA. His fiction has appeared in literary journals and anthologies. He was a teaching fellow at Smith College, where he received his MFA in choreography. While living in the Bay Area for 15 years, he wrote about dance for the San Francisco Chronicle and other periodicals. In 2005, he was a NEA Fellow at the Dance Critics Institute, American Dance Festival. For, he reviews dance, theatre and film. He moved to Santa Fe in October, 2008. He writes for "Pasatiempo," the Arts magazine of the "Santa Fe New Mexican."