Love & Sex

Woody Allen has a lot to answer for. His two great romantic comedies - Annie Hall and Manhattan - were so startling in their reinvention of the romantic comedy that they've managed to derail the genre. These are films  ...

Mission: Impossible 2

Brian DePalma’s Mission: Impossible had a minimal number of kicks: a skewed-angle view of a staircase that looked like an M.C. Escher drawing, a sexy supporting performance by Vanessa Redgrave, and an energizing use of Lalo Schifrin’s TV theme  ...

Me, Myself, & Irene

Bobby and Peter Farrelly (There's Something About Mary, Kingpin) are responsible for some of the most appallingly tasteless - and hilarious - sight gags ever committed to celluloid. There's no body function too private, no excretion too taboo for  ...

Mifune

In Akira Kurosawa’s Seven Samurai, Toshiro Mifune played Kikuchiyo, the son of a peasant farmer who lays claim to the noble status of a samurai warrior. In Mifune, the new film from Danish director S�ren Kragh-Jacobsen, Anders W. Berthelsen  ...

Mumford

Lawrence Kasdan's Mumford is a well-tuned vehicle with no destination. It is not funny enough to be a comedy, not serious enough to be a drama, and not deep enough to be much more than a slick two-hanky Hollywood  ...

The Mummy Returns

The title says it all: the mummy returns, bringing with him the Curse of the Summer Movie Sequel. Those who enjoyed 1999's The Mummy are unlikely to be disappointed, as this return engagement by the ancient Egyptian Imhotep plays  ...

Pleasantville

When CV sees a movie like Pleasantville, we get a little worried about slipping into a double standard, on the one hand, and preaching condescendingly, on the other. We don't want to do either, but movies like this  ...

The Producers

Moviegoers who think that Mel Brooks' zenith as a filmmaker was marked by flatulence around a campfire, or that the Farrelly Brothers invented the "do anything for a laugh, no matter how offensive" philosophy need to investigate The Producers.  ...

Ran

Akira Kurosawa was a prolific director, creating 31 films over a half century. Whether working on an intimate scale (Ikiru, 1952) or in epic mode (The Seven Samurai, 1954), he was profound in his observations, skilled at storytelling, and  ...

Rififi (Du Rififi Chez les Hommes)

“I liked you, Macaroni,” the gangster tells a comrade who’s made a fatal slip-up in Rififi, “but you know the rules.” Indeed, every moviegoer in the world understands the rules in Jules Dassin’s 1955 crime classic. But Rififi (the  ...