With Finnish soprano Karita Mattila leading a magnificent cast, this production of Janáček's folk opera makes for an immersive experience.
Suzanne WeissSan Francisco,
The last time I saw Karita Mattila in “Jenůfa” she played the title role, a young village girl madly in love with the town ne’er-do-well and secretly carrying his child to boot. Now, her gleaming voice burnished with maturity, the ...
Fine (often spectacular) singing saves this overlong, drab, and static production.
Suzanne WeissSan Francisco,
The trouble with Verdi’s “Don Carlo” always has been — like much of Wagner — too much of a good thing. Requiring no fewer than six stellar singers in the leads, making it very costly to mount, it clocks in ...
Frances WilsonLondon,
“The music is not in the notes, but in the silence between”
This quote from Mozart seems particularly apt for Steven Osborne’s recent concert at London’s Milton Court which featured music by Morton Feldman and George Crumb, two radical ...
Lewis WhittingtonPhiladelphia,
Wynton Marsalis’ Jazz at Lincoln Center Orchestra (JLCO) continues to sound more at home in Verizon Hall, with every concert they play in Philly. Their May 15 tribute to the music legacy of Miles Davis ...
Mary NguyenLondon,
First, I must admit that I am more familiar with Schubert's "Wintereisse" through the voice of Ian Bostridge, but sung 'straight' with nothing else but a piano to accompany the tenor. Last year, I was completely absorbed by ...
Michael McDonaghSan Francisco,
Solo piano recitals aren't that frequent even in a fairly sophisticated town like San Francisco. Sure, we have them at the San Francisco Conservatory of Music, and high profile international pianists presented by SF Performances. But the only real venue ...
Lewis WhittingtonPhiladelphia,
Opera Philadelphia closed their 2015-16 season with a new production of Donizetti’s "The Elixir of Love," an unwavering favorite with audiences, despite its more vaporous musical merits. Conductor Corrado Rovaris commented in the program notes that musically, the ...
Suzanne WeissSan Francisco,
Most operas begin with an overture. Peter Maxwell Davies’ “The Lighthouse” opens with an interrogation, a police investigation surrounding the mysterious disappearance of three lighthouse-keepers stuck for months on a lonely rock in the middle of a stormy ...
A musician from the 70's looks at the music industry today.
L.E. KalikowNew York,
To cope with internet overload, we allow algorithms to sift through and feed us bits and pieces to match our tastes or cosmetically enhanced anchormen (and anchorwomen) to spoon up headlines to the tune of tone-deaf sponsors. All this through ...
Frances WilsonLondon,
Olivier Messiaen’s monumental work Vingt Regards sur l’enfant Jésus (Twenty Contemplations on the Infant Jesus) surely ranks amongst the “greats” of the piano repertoire, standing shoulder-to-shoulder with Bach’s Well-Tempered Clavier and Beethoven’s 32 Piano Sonatas in terms of its scale, ...
