Berkeley,

The Great Wave

“The Great Wave” should have been a great play. It seemingly has all the right ingredients: a spine-tingling story based on real geopolitical events involving a captured young Japanese woman imprisoned by the totalitarian dictatorship of North Korea, while ...

Mozart Dances

Mark Morris’ understated barefoot “Mozart Dances” (2006) launched the 2019-20 season for Cal Performances this weekend with three separate piano concertos that are superbly woven together. The first movement, choreographed for eight women titled “Eleven,” was danced to Mozart’s ...

The Flick

The good news and not-so-good news is that Shotgun Players’ production of “The Flick” is three hours long (including a ten-minute intermission). Good news, because this brilliant 2014 Pulitzer Prize winner takes the time it needs to reveal naturally ...

Q & A w/ Tony Taccone

Tony Taccone, Berkeley Rep’s acclaimed Artistic Director for the last 21 years, is about to launch the last production of his last season, before turning over the reins to incoming artistic director Johanna Pfaelzer. During ...

Kiss My Aztec!

There’s nothing better than a bright and boisterous musical show to enhance one's mood — and boy, do we need a mood-changer these days. “Kiss My Aztec!,” with its book co-written by John Leguizamo (“Latin History for Morons”) and ...

The Good Book

“The Good Book’s” authors, Denis O’Hare and Lisa Peterson, creators of Berkeley Rep’s 2012 “An Iliad,” take on a colossal subject, one that may not be capable of mastery in one evening of theater. The lengthy, chock-filled production creatively ...

Home

Berkeley Repertory Theatre Why see a play that has no traditional plot or storyline to speak of, in which the performers are silent, accompanied only by occasional music? If the play is “Home,” the answer ...