Berkeley,

Kiss My Aztec!

There’s nothing better than a bright and boisterous musical show to enhance one's mood — and boy, do we need a mood-changer these days. “Kiss My Aztec!,” with its book co-written by John Leguizamo (“Latin History for Morons”) and ...

The Good Book

“The Good Book’s” authors, Denis O’Hare and Lisa Peterson, creators of Berkeley Rep’s 2012 “An Iliad,” take on a colossal subject, one that may not be capable of mastery in one evening of theater. The lengthy, chock-filled production creatively ...

Home

Berkeley Repertory Theatre Why see a play that has no traditional plot or storyline to speak of, in which the performers are silent, accompanied only by occasional music? If the play is “Home,” the answer ...

London Philharmonia

The Philharmonia has been called one of the best orchestras in the world and its principal conductor Esa-Pekka Salonen may be one of our top living ones, so pairing a master work by the Russian Igor ...

Kinan Azmeh

Pianists and violinists are the prime donne of classical music so where does that leave Damascus, Syria-born clarinetist Kinan Azmeh who makes his instrument sing with his own breath? One doesn't think of clarinetists as ...

Metamorphoses

With vivid and fond remembrances of Berkeley Rep’s extraordinary 1999 production of acclaimed writer and director Mary Zimmerman’s “Metamorphoses” (produced at UC’s Zellerbach Playhouse), I wondered whether a re-do could ever live up to ...

Creditors

“Creditors,” written by the much-admired and influential Swedish playwright August Strindberg (1849 –1912) known for his forward-thinking and naturalistic dramas, has been produced much less frequently over the years than some of his more ...