Roberto Devereux

Los Angeles,

Roberto Devereux

Don’t think that the movies have exclusive title to making bio-pics. Opera has been at it for years. Donizetti set a brilliant example in 1837 with “Roberto Devereux,” third in a trio of works about the Tudor monarchy. I ...

Eurydice

It’s still the same old story, a search for love and glory. Okay, so I paraphrased it. To hear playwright Sarah Ruhl and composer Matthew Aucoin tell it, Orpheus (Joshua Hopkins) is a god when he is creating music, ...

What the Constitution Means to Me

The title is personal, the play is personal, and so is this review. “What the Constitution Means to Me,” is the autobiographical story of author Heidi Schreck. It is particularly timely with the senate impeachment trial filling the airways, ...

La Bohème

Call it a chestnut or a war horse, if you must, in order to polish your sophistication credentials. “La Bohème,” done well, is some of the most moving music on an opera stage. It is ...

A Play is a Poem

Here is the question:  What would you think if you saw “A Play is a Poem” and did not know it was written by Ethan Coen? If you had been living under a rock and had never heard of ...

Happy Days

How you react to “Happy Days” at the Taper may depend on how you feel about revisiting absurdist theater. If you were around in the ‘60’s you probably saw “Happy Days,” along with “Krapp’s Last Tape” and “Waiting for ...

Falsettos

Smart, sassy, entertaining, funny, heart wrenching. The adjectives do not exactly capture the whole of Falsettos, the Lincoln Center production currently at the Ahmanson. Falsettos is an amalgamation of two, one act, musical plays: “March ...

Lackawanna Blues

“Nanny was like the government if it really worked.” That pretty much sums up the story of Nanny, the heart of Ruben Santiago-Hudson’s 2001 autobiographical spoken ballad currently playing at the Taper. The story is ...