Interview: Max Hollein, the new Director of New York’s Metropolitan Museum

San Francisco,

Fury

Kate Duhamel is unrepentant. “I’m responsible,” she admits. “I wanted to re-situate high level ballet in an Indie Pop or contemporary band multi-angle context, narrative-based, in a music venue.” She predicts that “Fury” will reach the potential audience that is ...

Everybody

Despite a slow and inflated start, the West Coast premiere of “Everybody” at Cal Shakes, by award-winning playwright Branden Jacobs-Jenkins (“An Octoroon”) closes with a strong finish that resonates deeply and lingers in one’s thoughts. “Everybody” is a ...

Still Standing

“Is something true, just because you remember it?” “Still Standing” is as much a happening as it is a site-specific work. Shaped by the walls of San Francisco’s landmark Victorian, Hass-Lilienthal House—and the creative corridors ...

Quixote Nuevo

How many works of literature can you name that have given rise to a regularly used English adjective? Not many? Me neither. But the word, “quixotic,” defined as “foolishly impractical, especially in the pursuit of ideals; especially marked by rash ...

Soft Power

Just when I was bemoaning the dearth of newly minted original musicals, along comes “Soft Power,” a wonderfully innovative, exciting, intelligent and tuneful show, created by Tony-winning playwright David Henry Hwang ("M. Butterfly") and Tony-winning composer Jeanine Tesori ("Fun Home").  ...

SF Danceworks.

“¡Socorro!” in Spanish means “Help!” of the kind that begs for succor, comfort, a poultice for one’s wounds. If the San Francisco dance cohort, having plateaued about three years ago, sent up such a cry, then the goddess Terpsichore ...