“If you allow me the time to exist, everything will be all right,” announces a gregarious gender fluid puppet. Inspired…
Marisa Hayes
Marisa C. Hayes is a Franco-American scholar and artist. She writes about the visual and performing arts for a variety of print and electronic publications. In 2017, Auteur published her first monograph, an analysis of the movement in Takeshi Shimizu’s film Ju-on. She is editor in chief of the French dance research journal Repères, cahier de danse and co-directs the International Video Dance Festival of Burgundy.
Following the holiday run of Rudolf Nureyev’s Cinderella in December, the Paris Opera Ballet season offered another classic by its…
To usher in the new year, and not just any year–2019 marks the 350th anniversary of the institution’s inception under…
“The Lady of the Camellias,” currently being performed by the Paris Opera Ballet through January 3, is no stranger to…
The theme of legacy has dominated the programming this fall at the Paris Opera Ballet, a season that opened with…
Between 1974 and 1996, Jerome Robbins personally oversaw the staging of twelve of his ballets for the Paris Opera Ballet….
It’s been nearly thirty years since the Martha Graham Dance Company performed in Paris at the invitation of Rudolf Nureyev,…