Javier Galitó-Cava is the Artistic Director of the Meisner Technique Program Spain(meisner.es), which he founded after studying at American Conservatory Theatre…
Dance
Brenda Way’s world premiere of After the Deluge crowned ODC’s Dance Downtown season—an enticing, lyrical performance inspired by the 20th anniversary of…
A.I.M by Kyle Abraham made their Zellerbach Hall debut with the premiere of 2×4, built around an original score by Shelley Washington….
Liss Fain’s End Point and Open Time are dances about space—exterior, interior, personal, public—and the relationships between them: between dancers, dancers and audience, audience…
Alas, our youth was what we made it, Something to fritter and to burn, When hourly we ourselves betrayed it,…
On one the coldest days of autumn so far, a coterie of GLBTQ+A elders were warming up for their twice…
When adults asked me what I wanted to be when I grew up, I gave a tri-part answer: “A choreographer,…
“Sometimes, a cigar is just a cigar,” Sigmund Freud famously wrote. Emblematic of his psychoanalytic work, his emphasis on symbolic…
When Deep River premiered in San Francisco in 2022, it was instantly hailed as a masterwork. A year later, Pointe magazine named it…
Vail Dance Festival, directed by Damian Woetzel, a former star at New York City Ballet who, in his spare time,…
“Death isn’t the elephant in the room; it is the room.” Alok Vaid-Menon ODC Summer Sampler 2025 was a homecoming…
SFDANCEWORKS’ Season 8 opened at Z Space with a world premiere by JA Collective, a Bay Area premiere by Yue…
The spring home season of the Alonzo King Lines Ballet featured two stunning musical collaborations, including a world premiere of…
