Signature Theatre Company’s enthralling revival of “A Bright New Boise” opened recently in a new production with an outstanding company…
Features
SXSW 2023 PREVIEW By Andrew Osborne There are various traditions film lovers enjoy at the start of each new year,…
Conductor Roderick Cox made his Philadelphia Orchestra debut with a vibrant program Jan. 13-14, in Verizon Hall with works by…
Leah Brotherhead, as Catherine, is the masthead triple threat who helms Wuthering Heights’ stellar cast. Having grown up in Hull,…
The Broadway electropop opera “Natasha, Pierre & the Great Comet of 1812” (“The Great Comet”), by renowned music creator Dave…
Jeb Kreager’s impressive acting bio contains many theatrical and film projects that have become cultural touchstones. He’s had roles in…
Smuin Contemporary Ballet is currently bringing Dance Series 1 to stages around the San Francisco Bay Area, in Mountain View,…
“This Much I Know” bewilders its public by immersing it in the broth of cognitive illusion. Three major plotlines and…
In a conversation with culturevulture, Eric Ting spoke about his seven years as Artistic Director of Cal Shakes, why he’s…
Oakland native Marcus Gardley is an acclaimed poet, playwright, screenwriter, and TV writer. He won the 2022 WGA award for…
Exceprts from an interview with Emily Mendel. Her review of “Octet” is here. On the human voice:“I was the stereotypical…
Theatre for a New Audience’s searing and brilliant new production of “The Merchant of Venice” (a co-production with DC’s Shakespeare…
My cultural round-up has usually centered on theater. This year theater finally did come back and hooray for that but…
As a decades-long Joni Mitchell fan, I have attempted to explain to others the difference between Joni and Joan Mitchell…