It has been a good fifteen years since I’ve had the pleasure of seeing the inside of Oakland’s Paramount Theatre,…
Dance
“The Embodiment Project,” directed by Nicole Klaymoon, brings together dancers, singers, actors and lecturers to focus on the very contemporary…
Ritual Exuberance Krissy Keefer, the director of Dance Brigade has staged “The Great Liberation…” at least twice since 1999. This…
Past/Present Deborah Hay “belongs to a group of choreographers who were behind the Judson Church Movement in New York in…
“The Bridge Project: Ten Artists Respond to Locus” is an elaborate and somewhat heady vehicle for a multidisciplinary exchange of…
Q: In ten years of running the festival, what have you learned? A: I’ve Learned to plan both more and…
James Sofranko, San Francisco Ballet soloist, will introduce his new company, SFDanceworks, to Bay Area audiences, June 23—25, at ODC…
Joanna Berman’s staging of Val Caniparoli’s “Hamlet and Ophelia” was just right. Caniparoli has a gift for perspective. He tends…
Seeing Cuba’s Malpaso Dance Company is like watching a newborn foal rise on spindly legs to find its footing. Young…
Alonzo King’s “Sand” premiered in this program. It’s redundant to speak of breakthroughs when it comes to King’s choreography. With…
Gold-flecked wings adorned the sinewy bodies of Chloe Felesina, Francesca Forcella and Daniel Mayo as a trio of dance angels…
They call themselves “The Three Musketeers” because they have traveled a long road together at San Francisco Ballet, and before…
Performance April 1, 2016 Lensic Performing Arts Center Santa Fe Attending an Aspen Santa Fe Ballet performance is a great…