Alexander Ostrovsky is every bit as significant a figure in the development of Russian theatre as Anton Chekov. But, while…
Mark Jennett
Natalie Cole burst upon the scene in 1975 with the US top ten hit This Will Be and the album…
After a number new or imported productions that have, by and large, been indifferently received, the Royal Opera returns to…
Among the credits for author Paul L. Williams listed on the back cover of Al Qaeda: Brotherhood of Terror, is…
The eerie soundscapes created by Julianna Raye and producer Ethan Jones are superficially reminiscent of the collaboration of Julee Cruise…
Although she has been a fixture on the Canadian musical theatre scene for many years (with roles in Piaf, Jacques…
Courtenay Day sounds a like a world weary Liz Callaway – clear and pure but slightly cracked around the edges….
A couple of recent releases feature benefit concerts devoted to two of the greatest theatre composers of the twentieth century….
Be careful what you wish for. When I reviewed Lisa Richard’s first CD, Born To Entertain, I suggested that, since…
Five albums – released between 1972 and 1982 – represent the years between Springfield’s critical peak with Dusty in Memphis…
It is has taken more than four years for Bernadette Peters to follow up her Sondheim, Etc album and some…
When Scott Miller published From Assassins to West Side Story in 1996 it was aimed at directors, performers and students…
Noel Coward is best remembered today for his plays – Hay Fever, Private Lives, Design for Living among others. However,…
