Josh Baxt
Josh Baxt has an MFA in creative writing from San Diego State University and writes for a local nonprofit. His play, Like a War, was produced for the annual Fritz litz. Josh's short fiction has been published in the anthologies Sunshine Noir and Hunger and Thirst, as well as the journal City Works.
Shakespeare’s comedies often thrive on confusion, and Comedy of Errors may be the most confusing of the lot. This mistaken…
All’s Well That Ends Well is considered a problem play, and it doesn’t take long to understand why. Billed as…
“One of the Good Ones” is a funny but uneven meditation on Mexican identity in Southern California – and perhaps…
“House of India “is an engaging, sometimes quite funny, take on South Asian immigrants in the American Midwest. Set in…
Empty Ride is a ghost story that kind of wants to be something else. The ghosts have to compete with…
The Seven Fingers is a group of acrobats/dancers/actors that tells stories through movement. Last year, they came to the Old…
King James, the Old Globe’s new buddy comedy, may be the most confident production I have ever seen. Though, superficially…
Set in 1876 New York City, “The Age of Innocence” highlights Gilded Age high society’s unwritten rules and how they…
If a friend approached you and said, “hey, let’s talk about mapping the ocean floor,” you might (politely) yawn. Sounds…
The immigrant’s tale is often good theater fodder, and comedian Alaudin Ullah antes up with his one-man show, Dishwasher Dreams….
Sometimes the male and female characters in Shakespeare are intellectually matched and ready to joust. Other times, the women are…